Sunday, October 4, 2015

The Wait is Over

It is Fall in Oklahoma, clear, crisp mornings, bright blue skies and perfect weather for walking the dogs and Morning Glories.

While waiting the last week or so for my loom to arrive I have been staying busy in the studio as the anticipation mounted daily.

Weaving on the tapestry diary for 2015 has been coming along, it is always exciting to shift into a new season and try to portray the subtle changes that take place daily.

Here is a peak at the end of September. I have continued to work on tiny bits of real scenes from memory and even included a woven memory of the lunar eclipse on the 27th.

I have enjoyed working with the hills and valleys of the year 2015 and have started to think about where the next years journey might take me.

Here are a few details of the month of September, a fairly steep climb at the beginning of the month

followed by a valley with scenes of hills, rivers and skies.

I took this one yesterday after completing October third. It has a fairly good view of my three phases of the lunar eclipse. We were so fortunate to have clear skies that night which made for great viewing.

I did get my hair weaving set up while waiting for the loom. I wet the hair extension down

separated it into weavable sections

and tried organizing it on the coils of my Mirrix Lani Loom.

Here it is all set up and ready to weave. I envision a sparkly hair ornament tapestry. It will be interesting to see what I get.

The Lani Loom is always busy. Here are the four tapestry bead cuffs that came off the last warp. One of my favorite projects and a great way to learn some tapestry techniques and just play with color and design.

I also finished up a couple of Kumihimo projects, a golden braid with a glass leaf ornament for Fall and the last model of the kits I have in the shop in Peacock colors.

I also designed a braid for
a silver pendant with a copper Border Collie on it which turned out quite nice.

New things for the shop include a large shipment of findings for Kumihimo and woven beaded jewelry. I found some nice ones!

Also some 12/6 cotton seine for tapestry warp in colors from Glimakra. I want to experiment with these soon.

I also finished a square braid of 10/2 pearl cotton to use as a frame for one of the small tapestries I have been finishing.

I stitched it on to the front after pinning in place around the edges of the linen covered board.

Then I stiched again around the back.

Next, the trimming of the tassel where the two ends came together. I thought os so many ways to finish these ends that further experiments may be needed.

Then I cut another piece of mat board, attached to the back with some acid free glue and included a little information about the tapestry with a business card and a sawtooth hanger.

I also included some recent reading material in this photo. I printed my ATA coda so that I could read at my leisure.

Then I let it sit over night with some weight on top and

Viola! here is a photo hanging on the wall. I am happy with the way this turned out and it is satisfying when two interests on parallel paths suddenly cross in a happy way.

So finally the day the loom was due to arrive came along. It was a clear and windless morning and I stayed busy putting some finishing touches on the new cartoon and then taking it outside to give it a couple of coats of fixative. I anticipate that the lettering will be a challenge.

Right on time the movers arrived with the loom. here is Sandy, she and her husband brought the loom from New Jersey and helped us load it into the studio.

After they left we got right to work getting it put together. When I say we I mainly refer to my role as reader of the directions, organizer and tool selecter, Mack did most of the work.

The space was just right for the finished loom but a little tight for the assembly.

When we left about 2pm for lunch it looked like this.

Here is a picture after it was put together. I had lowered the heddle bar to make it easier to count the heddles. This is a very nice feature of the loom. A Fireside 48 inch Cantilever tapestry loom, so exciting!

So, an interesting little side story; the next day Mack was watering some outside plants around the studio and found a washer. We quickly referred to the labeled packages of hardware for the loom and discovered a note that the cloth beam washer was taped to the cloth beam. It must have fallen off while the loom was being carried into the studio. Hmmm, another half day of work to take the loom apart and place that washer on the cloth beam between the worm gear and the side bar. Yikes! It is once more back together including the missing washer though.

I the decided that I might want to use 10 epi as the sett for the Paintbox tapestry so I placed an order with Glimakra and had a new reed at 10 epi for the Fireside Cantilever Loom very quickly to add to the the 8 dent reed it came with.

Next step, winding the warp, maybe today. From my spot in the world to yours, happy weaving and happy Fall.

Thursday, September 10, 2015

Daily Tapestry Exercises, Cross Training

Lately I have been trying something a little different with my daily practice. Most of my work, especially the sketching is based on observation. I try to carefully observe the things that interest me until the observation invades all my sences and then I try to capture some part of that. Now and then I do a little cross training with a slightly different approach. I observe and then I leave the scene and try to draw it out from memory. It is a great thing to try now and then as  I was reminded in Sketchbook Skool some time ago. Different muscles are worked in this exercise from the ones I normally use. I've been applying the same idea to some areas of my Tapestry Diary this year.

I try to observe a real scene, let it sink in and then go back and weave what I remember. Of course I think this would be much more challenging for a larger tapestry and probably need some reference photos or sketches but for these little snippets it has produced some nice results. I have been thinking of it as tapestry cross training. A different approach from the one I normally use.

Observing a knarled tree gave me this small memory tapestry.

A few more memory tapestry bits.

Trees and hills.

Fields, skies and roads. There is something compelling about a road that streaches before you.

I have been finding this little twist on the way I normally do things satisfying and fun.

Honestly speaking, it has been hard to write my blog posts lately. It is my goal to make this a cozy spot where you can grab a mug of coffee or tea and settle in.  Lately I just haven't been feeling that cozy! Waiting for my loom to arrive for many months now has been a tough road for me to travel.

In the interest of keeping it cozy though I am going to slide right by the months of hair pulling and stomach churning while six different shipping dates went by without results and get to the good news.

Even though I will not be getting a new 48" Cantilever Tapestry Loom from Fireside Fiber Arts I will be getting one circa 2000 that has been used and loved. Thanks to a post on the Tapestry 2005 yahoo list hosted by Kathe Todd Hooker I was put in touch with someone who is ready to sell her loom and I am definitely ready to buy. Here it is in the current owners home and if the shipping arrangements go as planned it should be in my studio by the end of the month. Isn't she lovely? I am so fortunate to have found the exact size and type of loom that just seemed perfect for my space. Add the bench and I am one happy weaver.

I'm back!

I have to thank so many of my weaving friends that have helped me through this difficult spot and especially to Tommye Scanlin and Kathe Todd Hooker who offered advice, sympathetic ears and loom consultations along the way and to dear friend Ann Schneider who offered me some practical tools for dealing with the situation. Where would we be without our weaving friends? Who else could understand how important a loom can be?

 Even though I have been a little superstitious about putting the finishing touches on my Paint Box tapestry cartoon until I knew the loom was actually coming I have been getting ready to weave it in other ways.

I made some skeins of 20/2 silk and some of a wool/silk blend to take a dying class with Gwen Witherspoon at the Guthrie Art Center recently.

I took along my little watercolor sketch so that I could dye some colors for the brass in the paintbox and the background of the tapestry.

Most of the people in the class were dying for warp painting which is a more exacting process but I was just trying to dye brass, turquoise for the background areas and shadows under the box.

We had a great time and came home tired and happy.

Here are my colors swimming in the final rinse

and drying on the front porch.

Now they are waiting patiently for this project to begin.

I plan on mixing them with some Ymmyarns and maybe some handspun to get just what I need for the tapestry.

I've also been busy teaching some small classes at the fiber Studio.

Helping weavers get better aquainted with their new Mirrix Looms is very satisfying and fun and I have a small and growing group coming in once a week now.

I have to admit that many small things on my to do list have been getting done while waiting for my loom issues to resolve.

I have several small tapestries done in workshops that I wanted to put some finishing touches on so I have been mounting them on linen.

I find this process takes a little practice and I'm happy to say I am getting better at it.

Here are a trio, from the left are two that I wove in the workshop with Susan Martin Maffei and Archie Brennan that I took in Weatherford, Ok.
from the left, Road Trip and Once A Boy.

I am getting so much better at this mounting that I think I may remount the Early One Morning piece from Joan Baxter's workshop in Dahlonega Georgia.

I also mounted the two small pieces I did at the last ATA retreat with Susan Martin Maffei and titled them Weaving With Susan. I think they look nice together.

My first thought was to just find some simple frames for them

but given I have been trying to learn some moves on the Marudai I may weave this as a square braid and try attaching it around the edges of the linen. This one might work nicely for Road Trip and would be a different approach. I will follow up with this on the blog when I finish.

I have also made models for all the Kumihimo kits in the studio. This is something that definitely would not have been done if I had been able to work on the Paintbox tapestry but it feels good now that it is.

Here are a few of the models.

I also finished a couple of one of a kind Kumihimo pieces

and this one which has a small tapestry fork for embellishment is my favorite.

I have a couple more of these little forks so I can see a couple more Kumihimo Tapestry Talismans in my future.

Four tapestry bead cuffs were finished on one warp and now my 8" Lani Loom can be warped for some more.

I think it is time for some neutrals and autumnal colors next.

Here is the before shot of my newest tapestry experiment. I am going to make myself some hair tapestry. Putting it on this lavender hair extension should be easier than doing it in my own hair and it will always be ready for those occaisions when I just need some tapestry in my hair.

I think this is going to be fun. I wonder if there are others out there that would like to weave their very own hair tapestry? This may be a class in the making.

There should be no problem staying busy until my new loom arrives and then I plan to tuck in, get acquainted and weave that Paintbox.